A few weeks ago, whenever I was asked, 'so what are you reading at the moment?', I was able to reply, 'I'm reading Pages from the Goncourt Journal.' People would look at me with absolute mystification, uncertain of how to respond. It didn't sound quite as though I was reading One of the Books You're Meant to Be Reading nor One of the Books You're Not Meant to Be Reading not yet again One of the Books You're Not Meant to Be Reading But Are Because of Their Perceived Relevance to Cultural Studies. At best it was possibly a case Almost One of the Books You're Meant to Be Reading But Not Really, Because it's Too Bloody Obscure to Be Considered of Either High-Brow Interest or of Cultural Studies Relevance.
Anyway, my dear friend Simoney gave me Pages from the Goncourt Journal for Christmas, saying that it was the original blogging. I felt this couldn't quite be the case, as one of the book's blurbs read: 'It surely ranks as the most entertaining work of literary gossip of the nineteenth century -- Spectator.'
I said to Simoney, 'Some would claim that political pamphleteering in the eighteenth century was the original blogging, a form of hard-copy, even collaborative, political blogging.
'And still others would look to the letter or to the diary for the derivations of blogging.'
But of course, when one looks for an Ur-blogger or for a practice of Ur-bloggerie or begins to hope that blogging might be the return of the old something, one is likely to be thwarted. As Third Cat once said: 'Blogging's not the new anything.' And in the words of Lulu Irigarati, 'One goes to say...that's it...and then it's that...only to find it's not that at all.'
However, after immersing myself in the Pages from the Goncourt Journal, I found myself quite taken by Simoney's suggestion that it provided a significant precedent in the genealogy of blogging. The brothers Edmond and Jules de Goncourt kept a joint journal of their life in Paris, perhaps not unlike couple-bloggers such as the Symposiasts or John and Belle have a blog. Edmond writes in the Preface:
This journal is our nightly confession, the confession of two lives never separated in pleasure, in work or in pain, the confession of two twin spirits, two minds receiving from the contact of men and things impressions so alike, so identifical, so homogeneous, that his confession may be considered the effusion of a single ego, of a single I. (xix)
Jules writes: 'Never has there been such a case of one soul placed in two bodies.' (42)
The entire journal spans the period 1851 to 1896, although writing almost ceased younger Goncourt died from syphilis in 1870. The older Goncourt contemplated bowing out after his brother's death then made a come-back as a political diarist, recounting the events surrounding the Siege of Paris and the Commune. While Edmond did not originally intend the journals to be published till twenty years after his death, he caved on seeing their potential interest value after sharing some extracts with the Daudets over lunch:
I read them a few extracts from my Memoirs; they seemed to be truly amazed by the life of these pages which spoke of the dead past.
The first volume was published in 1887; a further ten followed. The older Goncourt records some of his friends' responses (perhaps the equivalent of edited comments):
This literary portraiture of one's contemporaries really is disastrous for the author; thus in return for all the pleasant things I have said about people, I have received a solitary card from Scholl, while for the rest, which is mild enough, I have had three almost abusive letters. The result is that at the moment I cannot open a single letter without expecting to be insulted. (393)
And in response to Daudet's later indignation on seeing himself portrayed in print:
I confessed that I had been led by my love of the truth and my desire for sincerity to be perhaps unconsciously indiscreet and to portray others as I portrayed myself... (393-4)
The Goncourts also wrote plays and novels, none of which seem to have survived as well in literary memory as their journal. Indeed, responses to their other literary productions seem to have been somewhat negative, from what they record in the journal. Here for example, are the brothers on the publication of their first novel:
We dreamt dreams. We built castles in Spain. We already saw ourselves as great men, knighted by Janin with the flat of his pen. Bending over our illusions amd pricking up our ears, we waited for he drum-roll of the newspapers. And along came an article in the Revue des Deux Mondes, fierce, ferocious, well-nigh ill-mannered, signed Pontmartin, which angirly rejected us out of hand, put dunces' caps on our heads, and dismissed us as 'smoke-room pedants'. 'At least,' we told each other, 'we aren't going to have any lukewarm enemies.' (4)
One of their plays was taken off the stage after a few days for political reasons. Without having read any of their other work, I'm tempted to wonder whether their lack of literary success might relate to a failure to keep the spontaneity of voice they capture in their journal -- something which is often difficult to sustain in a longer narrative. The younger Goncourt in particular has a lively, playful style and a good ear for dialogue, and the later journal seems to suffer from his absence, becoming a much more dour and serious affair.
So why would you want to read the Goncourt journal? For the same reasons you might want to read blogs: for the excellent gossip, here about nineteenth century literary personalities such as Flaubert, George Sand and Zola, the humorous descriptions of their desultory sexual encounters, the earnest philosophising, and sharp-eyed observations on daily life. (And of course, details of the Siege of Paris and the Commune, if you like political blogging.) Like the best bloggers, they were able to blend a quite remarkable range of subjects. I have a bad habit of dog-earring pages, and I almost dog-earred every page in this book, there were that many nuggets to be found.
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